History

Readjusting the focus: Exercising agency through the Ballangbang cultural dance

In this photograph from the Missouri Historical Society archive, titled by author Jessie Tarbox Beals (1870-1942) as “As God made them… Pierre Chouteau”, it depicts 4 Bontoc Igorot (an ethnolinguistic group of indigenous Filipinos from the Cordillera region of the Philippines) boys as they dance what is most likely the Ballangbang, a cultural dance performed during mass celebrations and social gatherings.

Readjusting the focus: savagery or communal ritual?

In 1904, the United States introduced Filipino culture to the American public with their Philippine Exposition at the St. Louis World’s Fair, a faux recreation of indigenous Filipino villages located at the outskirts of the exhibition fairgrounds and populated with various indigenous Filipino tribes from across its various islands, the most well-known being of the Ifugao people of northern Luzon, referred to at the time as Igorots (Taft, 1904, 29-30).

Fading memory of Neela Thotti

Neela thotti/ thotti is the tamil colloquial term that refers to the avuri (indigo) wet leaf production tank. The existence of a number of thottis in a region implies the range and scale of cultivation and production of indigo. Before the 90s in the northern part of Tamilnadu, India, indigo was cultivated on a large scale for indigo cake production with numerous thottis. The development of synthetic dyes affected the market value of natural dyes.

The Introduction of African Rice in Suriname

Genetic research into rice from the inlands of Suriname draws attention to the history of West Africans who were deported as slaves to this former Dutch colony. While there are many grains of Asian rice, Surinamese black rice, ‘Blaka aleisi’, turned out to be almost identical to rice farmed by Mande-speaking farmers in West Ivory Coast according to research by Tinde van Andel. This rice was rarely eaten but instead was sacrificed to ancestors and used in spiritual herbal baths.

The History of Tea Leaf

Image depicts a statue erected on Mt. Loi Saing (Paddamyar Taung in Burmese), near Taung Pė Village, situated within Namsam Township, northern Shan State. The statue goes that when the Burmese king Alaungsithu travelled across his new kingdom around the 5th -6th century, he found Palaung people at Loi San Mountain in Southern Shan State. When he found them to be poor and struggling, he gave them laphet seeds believing it would help them find money for their family.

Konbaung Dynasty and Luntaya Acheik

Luntaya acheik originated in Konbaung dynasty (1752-1885) and could be worn only by kings and queens. If this new fabric was presented respectfully to the king and queen, a prize would be awarded to the giver. Commoners were not allowed to wear a new one but it could worn the king’s hand-me-downs which is awarded to the outstanding person in the service of the king.

Luntaya acheik: Then and Now

The weaving of luntaya acheik  or the wavy rope pattern created through the use of hundred shuttles loom and silk thread, is mainly based on seven elementary designs and thirty-three ropes. In the Konbaung period (1752 to 1885), it was a royal fabric that only the kings, queens and high officials were allowed to wear. Now everyone can wear luntaya acheik. People wear this luntaya acheik for special ceremonies like novitiation, wedding, state level events, and convocation. It is a valuable fabric.

U Pein Bridge (2): Learning History Through Childhood Poem

This oral narrative was collected by the students exploring the word concept - belief. 

The seventy-two year old father of the fried-fish seller told us the following story related with the establishment of the U Pein bridge:

"I left the monastery long time ago but I remember what I learnt about the history of the U Pein bridge"

 

အင်းကအော်ညီး ဆောက်လုပ်ပြီး၊ ဉီးပိန် တံတားကြီး

အင်း၀ရေငံ တွင်းဂျီးစော်နံ၊ တောင်သမန် ရေချိုတွင်း သောက်ပါလေ့ ကို ရန်ကင်း ဘေးရန်က ရှင်း

ဘရူရာဇာ (ထန်းပင်) မည်သော ထန်းပဒေသာပင်များ ခြံရံလျက်ရှိသောနေရာများကို ရွေးချယ်ခဲ့သည်။

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